The First Four Notes of the Beethoven’s Fifth


 Ludwig van Beethoven

Ludwig van Beethoven in 1804, the year he began work on the Fifth Symphony. Detail of a portrait by W. J. Mähler

The Symphony No. 5 in C minor of Ludwig van Beethoven, Op. 67

Fifth Symphony was written in 1804–1808. It is one of the most popular and best-known compositions in classical music, and one of the most frequently played symphonies.

First performed in Vienna‘s Theater an der Wien in 1808, the work achieved its prodigious reputation soon afterwards. E. T. A. Hoffmann described the symphony as “one of the most important works of the time”.

It begins by stating a distinctive four-note “short-short-short-long” motif twice: (About this sound listen (help·info))

The symphony, and the four-note opening motif in particular, are well known worldwide, with the motif appearing frequently in popular culture, from disco to rock and roll, to appearances in film and television.

The opening of Ludwig van Beethoven’s Symphony No. 5.

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Ludwig van Beethoven – 5th Symphony 5 – Symphonie Nr. 5 – Best of Classical Music

beethoven-symphony-5-opening

Beethoven 5 th Symphony Opening

A new book, a new recording and some old instruments, all addressing the most memorable phrase in music: the opening of Beethoven‘s Fifth Symphony.

Matthew Guerrieri has written a book about this symphony, called The First Four Notes: Beethoven’s Fifth and the Human Imagination. (Source:http://www.wbur.org/npr/165495617/beethovens-famous-4-notes-truly-revolutionary-music)

Guerrieri writes about how Beethoven’s piece resonated with everyone from revolutionaries to Romantics, and German nationalists to anti-German resistance fighters.

So many people have found so much meaning in just those first four notes. But Guerrieri says that we really don’t know all that much of what Beethoven meant by them.

“The most common story that is told is that Beethoven allegedly said that the opening of the symphony was supposedly symbolizing fate knocking at the door. And this is probably an invention of his biographer, although we can’t really tell,” Guerrieri tells NPR’s Robert Siegel. “The other story going around at the time that Beethoven wrote it was that he had gotten the opening motif from the song of a bird. And that story just sort of fell away as the fate symbolism took over. But in Beethoven’s time, and to Beethoven, that actually would have been a fairly noble way of getting a musical idea.”

A Romantic ‘Bombshell,’ Delivered By Beethoven’s Fifth

English: Trio from Beethoven's 3rd. Symphony

English: Trio from Beethoven’s 3rd. Symphony (Photo credit: Wikipedia)

In his book, Guerrieri writes:

“The Romantic era [of the early 19th century] never really ended … Every time a singer-songwriter is praised for projecting autobiographical authenticity, every time a movie star expresses the desire for a project that is ‘more personal,’ every time a flop is subsequently recategorized as a before-its-time masterpiece, all these are reverberations of the bombshell of Romanticism. And one of its pre-eminent delivery systems was Beethoven’s Fifth.”

The author adds: “I think that the Romantic era is another thing that we just sort of take for granted, because they’ve kind of always been there for us. But it’s amazing how many of these ideas were new around the time that Beethoven was writing music. The whole idea that music picks up where language leaves off — which is pretty much a cliche nowadays — that was a very specific Romantic idea, and it’s one that lasted. Also, the idea that the artist is somehow more privileged in accessing these things beyond language, in accessing the sublime, in accessing glimpses of the divine, however you want to characterize it. A lot of the ideas we use to talk about music are these ideas.”

And how to play those four notes? “The two things that have been argued about more than any other technical aspect of the opening are the tempo and the fermata that Beethoven stuck in the opening,” says Guerrieri. “A fermata is an indefinite hold — the conductor can hold onto a note as long as he wants.”

Holding On And Letting Fly: The Tempo

The question of tempo relates back to an interesting story Guerrieri tells in his book. The metronome was an invention of Beethoven’s day; he didn’t have access to it when he was writing his early symphonies. But later, he came into contact with it and loved the device. “He immediately buys one and sits down and starts going back over all his old scores and putting in metronome markings,” Guerrieri says. “And he picked a tempo for the Fifth Symphony that even today sounds really, astonishingly fast.”

The setting he chose was 108 beats per minute — so fast, so hard to play, Guerrieri says, that people have been theorizing for centuries about why Beethoven might have mismarked his own symphony. A broken metronome? Advancing deafness? Nobody knows.

Dah-Dah-Dah-Duh For ‘Victory’

Here’s one other story Guerrieri writes about those first four notes: In World War II, the anti-German resistance in occupied Belgium needed a simple graffiti symbol. A Belgian came up with the letter “V.” It stood equally for victoire — “victory” in French — and freiheit, or “freedom,” in Flemish. “Once that ‘V’ idea got back to the BBC and they wanted to start using it in their overseas broadcasts,” says Guerrieri, “it was at the BBC that they had the idea of combining it with the Morse code for ‘V’: three short and one long. Somebody at the BBC realized that matches Beethoven’s Fifth. So they could start using that as a little tag to symbolize that [something] was going to be a pro-Ally, propaganda broadcast from the BBC.”

For full article and interview with author visit: http://www.wbur.org/npr/165495617/beethovens-famous-4-notes-truly-revolutionary-music
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What is National Park? National Parks History. List of National Parks in USA


What are the National Parks?

IUCN, International Union for Conservation of Nature, helps the world find pragmatic solutions to our most pressing environment and development challenges.
In 1969 the IUCN (International Union for the Conservation of Nature and Natural Resources) declared a national park to be a relatively large area with particular defining characteristics.

A national park was deemed to be a place where:

  • one or several ecosystems are not materially altered by human exploitation and occupation, where plant and animal species, geomorphological sites and habitats are of special scientific, educative and recreative interest or which contain a natural landscape of great beauty.
  • the highest competent authority of the country has taken steps to prevent or eliminate as soon as possible exploitation or occupation in the whole area and to enforce effectively the respect of ecological, geomorphological or aesthetic features which have led to its establishment.
  • visitors are allowed to enter, under special conditions, for inspirational, educative, cultural and recreation purposes.

In 1971 these criteria were further expanded upon leading to more clear and defined benchmarks to evaluate a national park. These include:

  • a minimum size of 1,000 hectares within zones in which protection of nature takes precedence
  • statutory legal protection
  • a budget and staff sufficient to provide sufficient effective protection
  • prohibition of exploitation of natural resources (including the development of dams) qualified by such activities as sport, fishing, the need for management, facilities, etc.

Watch a preview of The National Parks: America’s Best Idea

View more film clips

Filmmaker Ken Burns and his longtime colleague Dayton Duncan take us on a behind the scenes tour of their new PBS series, The National Parks: America’s Best Idea. The team explains why they chose the parks as their subject, as well as describing their five-year journey through research, scripting, filming and editing the series. Their story is illustrated by rare footage of the film crew at work shooting in the parks, as well as excerpts from the finished film.

PBS Previews: The National Parks

Filmed over the course of more than six years at some of nature’s most spectacular locales — from Acadia to Yosemite, Yellowstone to the Grand Canyon, the Everglades of Florida to the Gates of the Arctic in Alaska — The National Parks: America’s Best Idea is nonetheless a story of people: people from every conceivable background — rich and poor; famous and unknown; soldiers and scientists; natives and newcomers; idealists, artists and entrepreneurs; people who were willing to devote themselves to saving some precious portion of the land they loved, and in doing so reminded their fellow citizens of the full meaning of democracy. It is a story full of struggle and conflict, high ideals and crass opportunism, stirring adventure and enduring inspiration – set against the most breathtaking backdrops imaginable.

 

 

National Parks History

In 1810, the English poet William Wordsworth described the Lake District as a "sort of national property in which every man has a right and interest who has an eye to perceive and a heart to enjoy". The painter George Catlin, in his travels through the American West, wrote in 1832 that the Native Americans in the United States might be preserved "by some great protecting policy of government . . . in a magnificent park . . . A nation’s park, containing man and beast, in all the wild and freshness of their nature’s beauty!" Similar ideas were expressed in other countries—in Sweden, for instance, the Finnish-born Baron Adolf Erik Nordenskiöld made such a proposition in 1880.

The Scottish-American naturalist John Muir was inspirational in the foundation of national parks, anticipating many ideas of conservationism, environmentalism, and the animal rights movement.

The first effort by any government to set aside such protected lands was in the United States, on April 20, 1832, when President Andrew Jackson signed legislation to set aside four sections of land around what is now Hot Springs, Arkansas to protect the natural, thermal springs and adjoining mountainsides for the future disposal of the US government. It was known as the Hot Springs Reservation. However no legal authority was established and federal control of the area was not clearly established until 1877.

The next effort by any government to set aside such protected lands was, again, in the United States, when President Abraham Lincoln signed an Act of Congress on June 30, 1864, ceding the Yosemite Valley and the Mariposa Grove of Giant Sequoias (later becoming the Yosemite National Park) to the state of :

The said State shall accept this grant upon the express conditions that the premises shall be held for public use, resort, and recreation; shall be inalienable for all time.

In 1872, Yellowstone National Park was established as arguably the world’s first truly national park. When news of the natural wonders of the Yellowstone were first promulgated, the land was part of a federally governed territory. Unlike Yosemite, there was no state government that could assume stewardship of the land, so the federal government took on direct responsibility for the park, a process formally completed in October 1, 1890—the official first National park of the United States. It took the combined effort and interest of conservationists, politicians and especially businesses—namely, the Northern Pacific Railroad, whose route through Montana would greatly benefit by the creation of this new tourist attraction—to ensure the passage of that landmark enabling legislation by the United States Congress to create Yellowstone National Park. Theodore Roosevelt, already an active campaigner and so influential as good stump speakers were highly necessary in the pre-telecommunications era, was highly influential in convincing fellow Republicans and big business to back the bill.

Yosemite Valley, Yosemite National Park, California, USA.

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The "dean of western writers", American Pulitzer prize-winning author Wallace Stegner, has written that national parks are ‘America’s best idea,’—a departure from the royal preserves that Old World sovereigns enjoyed for themselves—inherently democratic, open to all, "they reflect us at our best, not our worst." Even with the creation of Yellowstone, Yosemite, and nearly 37 other national parks and monuments, another 44 years passed before an agency was created in the United States to administer these units in a comprehensive way — the U.S.National Park Service (NPS). Businessman Stephen Mather and his journalist partner Robert Sterling Yard pushed hardest for the creation of the NPS, writing then-Secretary of the Interior Franklin Knight Lane about such a need and spearheading a large publicity campaign for their movement. Lane invited Mather to come to Washington, DC to work with him to draft and see passage of the NPS Organic Act, which was approved by Congress and signed into law on August 25, 1916. Of the 391 sites managed by the National Park Service of the United States, only 58 carry the designation of National Park.

[http://www.youtube.com/watch?v=nQ7rFA4TQmA]

Following the idea established in Yellowstone there soon followed parks in other nations. In Australia, the Royal National Park was established just south of Sydney in 1879. Rocky Mountain National Park became Canada’s first national park in 1885. New Zealand had its first national park in 1887.

In Europe the first national parks were a set of nine parks in in 1909; Europe has some 370 national parks as of this writing. In 1926, the government of South Africa designated Kruger National Park as the nation’s first national park. After, national parks were founded all over the world. The Vanoise National Park in the Alps was the first French national park, created in 1963 after public mobilization against a touristic project.

[http://www.youtube.com/watch?v=HBb9DoziY7M]

List of United States National Parks by State

This is a list of United States National Parks by state. Some states lack a national park; others have many. Two territories have national parks, and are included on this list. Some parks encompass land in more than one state and are listed more than once. Parks vary greatly in size, but the largest are generally in the West and Alaska, where large blocks of undeveloped and government-owned land existed.

State National Parks Year Created Area (mi²) Area (km²)
Alaska Denali 1917 9,492 24,585
Alaska Gates of the Arctic 1980 13,238 39,460
Alaska Glacier Bay 1980 5,130 13,287
Alaska Katmai 1980 5,288 13,696
Alaska Kenai Fjords 1980 1,094 2,833
Alaska Kobuk Valley 1980 2,609 6,757
Alaska Lake Clark 1980 6,297 16,308
Alaska Wrangell – St Elias 1980 20,587 53,321
American Samoa American Samoa 1988 14 36
Arizona Grand Canyon 1919 1,902 4,927
Arizona Petrified Forest 1962 341 885
Arizona Saguaro 1994 143 370
Arkansas Hot Springs 1921 9 22
California Channel Islands 1980 390 1010
California Death Valley 1994 5,219 13,518
California Joshua Tree 1994 1,234 3,196
California Kings Canyon 1940 722 1,869
California Lassen Volcanic 1916 166 429
California Redwood 1968 176 455
California Sequoia 1890 631 1,635
California Yosemite 1890 1,189 3,081
Colorado Black Canyon of the Gunnison 1999 51 133
Colorado Great Sand Dunes 2004 133 343
Colorado Mesa Verde 1906 81 211
Colorado Rocky Mountain 1915 415 1,078
Florida Biscayne 1980 207 700
Florida Dry Tortugas 1992 101 262
Florida Everglades 1947 2,357 6,105
Hawaii Haleakala 1916 46 118
Hawaii Hawaii Volcanoes 1916 505 1,309
Idaho Yellowstone 1872 3,470 8,980
Kentucky Mammoth Cave 1941 83 214
Maine Acadia 1919 47 123
Michigan Isle Royale 1940 894 2,314
Minnesota Voyageurs 1975 341 882
Montana Glacier 1910 1,584 4,101
Montana Yellowstone 1872 3,470 8,980
Nevada Death Valley 1994 5,219 13,518
Nevada Great Basin 1986 120 312
New Mexico Carlsbad Caverns 1930 73.07 189
North Carolina Great Smoky Mountains 1934 814 2,108
North Dakota Theodore Roosevelt 1978 110 285
Ohio Cuyahoga Valley 2000 51 134
Oregon Crater Lake 1902 286 741
South Carolina Congaree 2003 33 88
South Dakota Badlands 1978 379 982
South Dakota Wind Cave 1903 44 114
Tennessee Great Smoky Mountains 1934 814 2,108
Texas Big Bend 1944 1,252 3,242
Texas Guadalupe Mountains 1966 135 350
U.S. Virgin Islands Virgin Islands 1956 23 59
Utah Arches 1971 119 309
Utah Bryce Canyon 1928 56 145
Utah Capitol Reef 1971 378 979
Utah Canyonlands 1964 527 1,366
Utah Zion 1919 229 593
Virginia Shenandoah 1935 311 805
Washington Mount Rainier 1899 368 954
Washington North Cascades 1968 789 2045
Washington Olympic 1938 1,442 3,734
Wyoming Grand Teton 1929 484 1,255
Wyoming Yellowstone 1872 3,470 8,980

PBS brings you a preview of the newest Ken Burns documentary series,
THE NATIONAL PARKS: AMERICAS BEST IDEA,.

The 12-hour, six-part documentary series, directed by Burns and co-produced with his longtime colleague, Dayton Duncan, who also wrote the script, is the story of an idea as uniquely American as the Declaration of Independence and just as radical: that the most special places in the nation should be preserved, not for royalty or the rich, but for everyone.

Only on PBS.