What is SOPA? What is PROTECT IP? How SOPA and PIPA might affect you?

What is SOPA?

How SOPA would affect you?

SOPA and PIPA would censor the Web

SOPA and PIPA wouldn’t stop piracy

The Stop Online Piracy Act (SOPA), also known as House Bill 3261 or H.R. 3261, is a bill that was introduced in the United States House of Representatives on October 26, 2011, by House Judiciary Committee Chair Representative Lamar S. Smith (R-TX) and a bipartisan group of 12 initial co-sponsors. The bill, if made law, would expand the ability of U.S. law enforcement and copyright holders to fight online trafficking in copyrighted intellectual property and counterfeit goods.

Presented to the House Judiciary Committee, it builds on the similar PRO-IP Act of 2008 and the corresponding Senate bill, the PROTECT IP Act.

The originally proposed bill would allow the U.S. Department of Justice, as well as copyright holders, to seek court orders against websites accused of enabling or facilitating copyright infringement.

Depending on who makes the request, the court order could include barring online advertising networks and payment facilitators from doing business with the allegedly infringing website, barring search engines from linking to such sites, and requiring Internet service providers to block access to such sites. The bill would make unauthorized streaming of copyrighted content a crime, with a maximum penalty of five years in prison for ten such infringements within six months. The bill also gives immunity to Internet services that voluntarily take action against websites dedicated to infringement, while making liable for damages any copyright holder who knowingly misrepresents that a website is dedicated to infringement.

Source: http://en.wikipedia.org/wiki/Stop_Online_Piracy_Act

What is PIPA?

How PROTECT IP Act would affect you?

The PROTECT IP Act (Preventing Real Online Threats to Economic Creativity and Theft of Intellectual Property Act of 2011 or PIPA), also known as Senate Bill 968 or S. 968, is a proposed law with the stated goal of giving the US government and copyright holders additional tools to curb access to “rogue websites dedicated to infringing or counterfeit goods”, especially those registered outside the U.S.

The bill was introduced on May 12, 2011, by Senator Patrick Leahy (D-VT) and 11 bipartisan co-sponsors.

The Congressional Budget Office estimated that implementation of the bill would cost the federal government $47 million through 2016, to cover enforcement costs and the hiring and training of 22 new special agents and 26 support staff.

The Senate Judiciary Committee passed the bill, but Senator Ron Wyden (D-OR) placed a hold on it.

…. for more details visit: http://en.wikipedia.org/wiki/PROTECT_IP_Act

How PIPA would affect you?

Protect IP Act Breaks the Internet

Protect IP Act Breaks the Internet

The bill defines infringement as distribution of illegal copies, counterfeit goods, or anti-digital rights management technology. Infringement exists if “facts or circumstances suggest [the site] is used, primarily as a means for engaging in, enabling, or facilitating the activities described.”
The bill says that it does not alter existing substantive trademark or copyright law.

The bill provides for “enhancing enforcement against rogue websites operated and registered overseas” and authorizes the United States Department of Justice to seek a court order in rem against websites dedicated to infringing activities, if through due diligence, an individual owner or operator cannot be located.

The bill requires the Attorney General to serve notice to the defendant.

Once the court issues an order, it could be served on financial transaction providers, Internet advertising services, Internet service providers, and information location tools to require them to stop financial transactions with the rogue site and remove links to it.

The term “information location tool” is borrowed from the Digital Millennium Copyright Act and is understood to refer to search engines but could cover other sites that link to content.

The Protect IP Act says that an “information location tool shall take technically feasible and reasonable measures, as expeditiously as possible, to remove or disable access to the Internet site associated with the domain name set forth in the order”. In addition, it must delete all hyperlinks to the offending “Internet site”.Source:PROTECT IP Act of 2011, S. 968, 112th Cong. § 3(d)(2)(D); “Text of S. 968,” Govtrack.us. May 26, 2011. Retrieved June 23, 2011. Bill Text – Protect IP Act

Nonauthoritative domain name servers would be ordered to take technically feasible and reasonable steps to prevent the domain name from resolving to the IP address of a website that had been found by the court to be “dedicated to infringing activities.”The website could still be reached by its IP address, but links or users that used the website’s domain name would not reach it. Search engines—such as Google—would be ordered to “(i) remove or disable access to the Internet site associated with the domain name set forth in the [court] order; or (ii) not serve a hypertext link to such Internet site.”

What people are saying about about SOPA and PIPA?

Members of Congress are trying to do the right thing by going after pirates and counterfeiters but SOPA and PIPA are the wrong way to do it.

1. SOPA and PIPA would censor the Web

The U.S. http://youtu.be/Qcbg29Q0DhAgovernment could order the blocking of sites using methods similar to those employed by China. Among other things, search engines could be forced to delete entire websites from their search results. That’s why 41 human rights organizations and 110 prominent law professors have expressed grave concerns about the bills.

2. SOPA and PIPA would be job-killers because they would create a new era of uncertainty for American business

Law-abiding U.S. internet companies would have to monitor everything users link to or upload or face the risk of time-consuming litigation. That’s why AOL, EBay, Facebook, Google, LinkedIn, Mozilla, Twitter, Yahoo and Zynga wrote a letter to Congress saying these bills “pose a serious risk to our industry’s continued track record of innovation and job-creation.” It’s also why 55 of America’s most successful venture capitalists expressed concern that PIPA “would stifle investment in Internet services, throttle innovation, and hurt American competitiveness”. More than 204 entrepreneurs told Congress that PIPA and SOPA would “hurt economic growth and chill innovation”.

3. SOPA and PIPA wouldn’t stop piracy

read more: https://www.google.com/landing/takeaction/sopa-pipa/

Protect IP Act Breaks the Internet

When I found out Fight for the Future needed help with their campaign against a new bill called PROTECT-IP, I had to take a little time away from Everything is a Remix Part 4 and produce the video above. PROTECT-IP is the latest piece of legislation aiming to chip away at your online rights in the name of protecting the entertainment industry’s business model. It’s legislation that won’t work, will give us yet more lawsuits, and will make the net worse.

Whether you lean right and hate business regulation, lean left and hate censorship, or lean neither way but hate useless legislation, PROTECT-IP is a bill everyone should oppose. I encourage you to head over to Fight For the Future and contact congress.

More here: http://fightforthefuture.org/pipa

So, it is up to you to decide support it or not.

Call your Senators today.

The Internet is a thriving ecosystem that powers our economy and our society. PIPA and SOPA threaten the web.

Join Our Censorship Protest!

Introduction to Social Media. What is Social Media Networking?

Introduction to Social Media

Whether you’ve begun to experiment or remain on the sidelines, it’s a good time to learn more about what social media is, and whether it could be useful for you.

What social media is?

Social media is a set of tools that allows the audience create content and communicate among themselves. A few examples:
blogs, message boards or groups (like Google Groups or Yahoo Groups), commenting, ranking and sharing tools like you find on many news sites, blogs and operations like Digg social bookmarking and sharing tools like Delicious or Mixx user-generated content sites like YouTube and Flickr group instant messaging like Twitter live community chats, as standalones or complements to broadcasts platforms like Facebook and LinkedIn where people can create profiles, share content, create groups and interact in many other ways

What social media is not?
Social media is not content you, a public broadcaster, website or producer, create. (Blogs are a partial exception. See our blogging documents for more information on them.)
Some broadcasters and producers can have a hard time wrapping their brains around the idea of hosting, and publishing, content they don’t create. It’s likely to be lower quality than professionally produced material. It can confuse the audience. Why bother?

Why social media is scary?
Inviting people into a social environment you create is inherently risky. You can’t control what they say, about you or anybody else.
Of course you can screen for pornography, bad language, hate speech and so on. You can require people to sign in with an e-mail address or create a profile before contributing, to discourage anonymous attacks. You can pull down content that is obviously off-topic, purely commercial or libelous.
But if you try to edit (which is to say, censor) content beyond, that you’ll lose credibility. Even, or especially, if that content harshly criticizes a website, production or person involved, or expresses a fringe political opinion. If you’re going to host a public discussion, it may get messy.

So why bother to use social media?

Three main reasons:
Audience behavior is changing rapidly, and audiences increasingly expect a participatory media experience.
If they don’t get it from you, they’ll get it elsewhere. A portion of your audience will drift away. Truth is, that’s probably happening already.

Handled properly, social media can enhance traditional broadcasting with high-quality content no website or producer can create.
Pre-production, it can provide invaluable content and ideas. Post-broadcast, it can sustain a loyal audience that can feed new work.

Social media can foster public dialogue.
This is particularly true of, and important for, public media, whose audience is more educated and engaged in community life than most. Using social media can help you fulfill your public mission, to engage the public in public broadcasting.

Social media can build powerful links between people and websites, productions and content. At a time when audiences are fragmenting and media options multiply, social media can build a durable bond with your audience.

For more information about social media networking and SEO tips, tricks, social media  good practice, online tools and how to market your site visit web designer site.

What is HDTV? What is Digital Television? What is DTV?

What is HDTV?

HDTV – stands for High Definition TV and while the FCC does not have a standard definition for HDTV, it is widely agreed upon that HDTV is defined as having higher quality video, audio and a wider image aspect ratio than standard television broadcast signals.

After the transition to color TV in the 1950s and ’60s, nothing has had as much impact on the TV world as HDTV (high-definition TV) and digital TV. That’s right, TV is going digital, following in the footsteps of, well, everything. We’re in the early days of this transition — a lot of TV programming is still all-analog, for example. And this stage of the game can be confusing, with an alphabet soup of acronyms, changing technologies, and emerging standards.
More than 50 years ago, a group called the NTSC (National Television System Committee) put together a group of technical specifications and standards that define television as we know it today. Sure, there have been some changes in those 50 years (such as the addition of color), but today’s analog TVs are built on this NTSC system.


In the 1980s, the ATSC (Advanced Television System Committee) was formed to move TV forward.
Many years later (1996), the ATSC’s recommendations for a digital-television system were adopted by the FCC (Federal Communications Commission — the folks who set standards for TV broadcasts, regulate phone companies, and fine Howard Stern). ATSC standards use newer-than-1953 technology to give you TV like you’ve never had before:

Widescreen images like those in the movies
Greater detail — up to six times more detail
Sharper images
Smoother, more filmlike images with no video flicker
All digital, with none of the “ghosts” and other image problems found in analog TV
Understanding video standards
HDTV (and digital TV, or DTV, in general — there are some digital TV variants that are not high-definition, and we discuss them in this section) is all about giving you a bigger and better picture, better audio, and generally making your TV-watching experience more like a movie-watching experience. In fact, at its best, HDTV is so realistic that it’s often described as “looking through a window” — as if you’re really there, not just watching a program.

There are three essential concepts to understand when you are comparing different video standards:

Resolution: the number of individual picture elements that make up a TV image. The higher the resolution, the more detailed the image, and the sharper the image will appear.
Resolution is defined by one of two factors:• Lines (the number of left-to-right lines the TV can display). CRT-based TVs (tube TVs) are rated this way.

Pixels (the number of pixels across the screen times the number up and down). Fixed-pixel displays (plasmas, LCDs, DLPs and the like) are rated this way.

How to Calibrate HDTV?
Calibrating your HDTV gives you the best picture, whether you have an LCD or plasma television. No need for a professional calibration; you can do it yourself. Follow step-by-step instructions in this video tutorial:

Scan Type comes in two forms:
Interlaced scan: These TV images are created by lighting up every other row of horizontal lines on the screen in one instant, and then going back through and lighting up the remainder of the lines in the next instant. It happens so fast that your eye can’t really tell it’s happening.

Progressive scan: These systems light all the horizontal lines in the same instant, which can make the image seem “smoother” and more like film (or real life).

Aspect Ratio (the shape of your TV picture):
Traditional TVs have a 4:3 aspect ratio (screen shape). This means that for every 4 units of measure across the screen, you have 3 units of screen height. For example, if the screen is 12 inches wide, it will be 9 inches high.

HDTVs have a 16:9 aspect ratio — which makes the screen relatively much wider for the same height, compared to a 4:3 TV. Most movies are widescreen (16:9, or even wider), so HDTVs can display most movies without the annoying “letterbox” black bars on the top and bottom of the screen.

HDTV standards
There isn’t a single “HDTV” standard out there. Instead, ATSC contains many different TV standards (with different resolutions, aspect ratios, and scan types) — 18, in fact. Some of these standards are truly HDTV; most are not. In the real world, you will deal with four standards when you try to watch TV content on your HDTV. The two primary HDTV standards are these:

720p: This provides 720 lines of resolution with progressive scan (hence the p). By comparison, NTSC has less than 480 lines of resolution. 720p uses a 16:9, a widescreen aspect ratio.
1080i: This variant (the highest resolution within the ATSC standard) uses interlaced scanning, but provides 1080 lines of resolution. 1080i is also widescreen, with a 16:9 aspect ratio.
There is actually a higher HDTV variant in the ATSC standard — 1080p, which is a progressive scan variant of 1080i. Only a few HDTV projectors (in the $40,000 and above price range) can handle this variant, and we know of no material that is broadcast or otherwise available as 1080p. So don’t worry about it.
True HDTV performance requires at least 720p performance. If a TV program, movie, or other content is not at least 720p (either 720p or 1080i), it is not HDTV. If a TV can’t display at least 720 lines of resolution, it is not HDTV-capable.

If a salesperson tries to tell you that an inexpensive plasma set, regular DVD, regular digital cable, or regular satellite TV “is” HDTV just because it’s digital, it’s not so.
Compatible DTV standards
720p and 1080i are the two HDTV standards, but you’ll also find a lot of digital TV material will be broadcast at lower resolutions that don’t quite make the grade as HDTV. You can still watch this programming on your HDTV — in fact, most HDTVs will make this programming look better than it does on a regular TV — but remember: That stuff is not really HDTV.

480p (EDTV): This enhanced-definition TV standard provides higher-than-NTSC resolution, with progressive scan (NTSC is interlaced). EDTV can be (and often is) 16:9 widescreen, but it is not required to be widescreen.
480i (SDTV): This is interlaced, non-widescreen (4:3), standard-definition TV, equivalent to NTSC analog broadcasts.
Remember these different terms — HDTV, EDTV, and SDTV — when shopping. They will often be in the product descriptions; you need to know exactly what you’re buying.

How do I get HDTV?
Anyone that owns a high definition television can get high definition content. You have three options: over-the-air signals, cable or satellite. Over-the-air signals are those that a typical rooftop antenna would receive…only these signals are digital and encoded in HD. Over-the-air signals are free to receive. The only cost out of pocket would be for the equipment needed to receive them. To receive HD programming from your cable or satellite provider you would need to subscribe to their HD package. This subscription is not free. The provider might require a minimum length of service.

Does owning a HDTV mean that I am watching in high definition?

No. Owning a high definition television is just the first step in watching HD content. The second step is to acquire a HD tuner. The tuner is either built into the television or an external set-top box. The set-top boxes can be bought in stores, but most will come from the cable or satellite provider. The third step is to either subscribe to a HD package or buy an antenna for over-the-air reception. Once steps one, two and three are in place then it is up to you to turn to the HD channel to get started watching high definition programming. And, this is only when the signal on the HD channel is delivered in high definition.
How to get free HD Channels?:

Digital Transition Story. TV History. What is DTV Transition?

Guide to Digital TV and Digital Radio.

Consumer Guide to Digital Transition and DTV FAQ
TV History – History of Televisoin and Analog to Digital Transition

CONSUMER AWARENESS IS UP 80 PERCENT SINCE 2006, SAYS CEA Government and Industry Education Campaign Ensuring a Successful Transition On June, 2009, the nation will switch over to digital broadcasting. Analog TV will be a thing of the past. The promise of an all-digital world is at hand. Consumer awareness of the transition to digital television (DTV) grew 80 percent since 2006, according to new market research released by the consumer electronics association (CEA). CEA also released new survey results that predict the success of the national telecommunication and information administration (NTIA)’s converter box coupon program which launched in January and was prominently featured at the 2008 international CES. Converter boxes are only needed for consumers who watch over-the-air broadcasts on an analog television. CEA’s survey found only 11 percent of television households – approximately 13 million – are solely over-the-air households, indicating that NTIA has sufficient converter box coupons to meet potential demand.

What is DTV Transition?:

Digital TV

Digital Television (DTV) is an advanced broadcasting technology that will transform your television viewing experience. DTV enables broadcasters to offer television with better picture and sound quality. It can also offer multiple programming choices, called multicasting, and interactive capabilities.

What is DTV?

Digital television (DTV) is an innovative type of over-the-air broadcasting technology that enables TV stations to provide dramatically clearer pictures and better sound quality.

DTV is more efficient and more flexible than the traditional way of broadcasting known as analog. For example, DTV makes it possible for stations to broadcast multiple channels of free programming all at once (called multicasting), instead of broadcasting one channel at a time. DTV technology can also be used to deliver future interactive video and data services that analog technology can’t provide.

What is HD Radio™?

HD Radio is an upgrading of the way AM and FM radio signals are transmitted, from analog to digital signals. Sounds neat. But what does that mean for us listeners?

HD Radio technology allows broadcasters to transmit a high-quality digital signal. For listeners who have an HD Radio receiver, the benefits are:

  • FM radio with near CD-quality sound
  • AM radio that sounds as good as traditional FM
  • No more static, pops, crackles or fades
  • Transmission of additional information, such as song titles and artists
  • Increased listening options with multicasting
  • Tagging a song for later purchase

What is Podcast?


Latest Live News on Podcasting, Web casting, and Online Steaming could be find here

A podcast is a series of digital media files, usually digital audio or video, that is made available for download via Web syndication. The syndication aspect of the delivery is what differentiates podcasts from other files accessible by direct download or streaming: it means that special software applications, generically known as pod catchers (such as Apple Inc.’s iTunes or Nullsoft’s Winamp), can automatically identify and retrieve new files associated with the podcast when they are made available, and that these files can be stored locally on the user’s computer or other device for offline use. This is done by the podcatcher accessing a centrally-maintained Web feed, which lists files associated with a certain podcast.

Pod-casting in Plain English Video can be find on https://infotechusa.wordpress.com/2009/04/21/podcast-webcast/ blog post